Showing posts with label Walter Langley. Show all posts
Showing posts with label Walter Langley. Show all posts

Thursday, 12 April 2012

WALTER LANGLEY RI (June 8, 1852 - March 21, 1922)


My favourite stories told by my grandmother Elizabeth Blaney Welch were those of a talented and famous ancestor.
Photo of poster in Penlee House Gallery

He was Walter Langley, her great uncle on her father’s side. Walter was the brother of Elizabeth’s grandmother, Ellen Elizabeth Langley (1838-1915) who had married Edwin Blaney (1834-1885) in 1855.

Walter Langley was a watercolour painter who is most well known as a founding member of the Newlyn School. He created large scale watercolours of people and scenes from everyday life in a fishing village and the seafaring tragedies along the coast near Penzance in England. Walter had great empathy for the struggles of the poor and of disadvantaged workers.

Gran was very familiar with his work and had some artifacts that she passed along to me when she knew I was interested. I am pleased to have a catalogue from an exhibit of his work held at the Royal Albert Memorial Museum and at the Birmingham Museums and Art Gallery in June 1984.

She also gave me some correspondence between his second wife, Ethel and the Birmingham Lord Mayor’s secretary E. Sanford. It concerned a Memorial Exhibition in 1923 and A Brief History of Walter Langley R.I. (Royal Institute of Painters in Watercolour) written on June 25, 1931 by Edward Harper, RBSA, Hon. Sec. of the Royal Birmingham Society of Artists. Edward Harper was a fellow student and friend of Walter Langley.
Lickey Hills
 In his early years Walter painted rural scenes close to his home in Birmingham, not until 1882 did he choose to make the life of fishermen and their families, his subject matter.

At least one piece of his art is resident in Canada. Elizabeth owned a miniature watercolour scene, about 2½ by 4 inches in size, of Lickey Hills, painted by Walter Langley in 1875. It was originally owned by one of his elder sisters and has been passed down through the family. There are some handwritten notes attached to the painting and I am currently researching to confirm the details of its provenance.

As a result of my Grandmother’s influence, Walter Langley became my first family history research subject. It was an easy place to start as much information has been written about him and his work still hangs in the Birmingham Art Gallery in England. The artifacts she gave me inspired my first trip to England and led me to get in touch with a couple of cousins near Birmingham.

I have been fortunate to visit the gallery twice and see some of his original art works. I found them to be very beautiful and moving.

I was also able to travel to the south west coast of Britain and visit Penlee House in Penzance where I saw a photograph of Walter on display as well as some prints of his art. I stood on the seawall in the nearby village of Newlyn that appears in several of his paintings. It was very thrilling to be standing there knowing that he had painted that very scene a hundred years earlier.

I have just received a book about his life that I am looking forward to reading; Walter Langley: From Birmingham to Newlyn, written by his grandson, Roger Langley, published June 2011. It is a revised and rewritten edition of a study first published in 1997 with many new illustrations.

Walter was very prolific and I have some prints and posters of his work hanging on my living room wall that I enjoy immensely. Some came from my grandmother and some I was able to purchase in Birmingham and Penzance when I visited there.

It seems that this is where the artistic talent in our family’s current and past generations originated.

http://www.penleehouse.org.uk




Monday, 26 March 2012

WELCOME TO MY BLOG


My travels into the past began as a young girl, when I was impressed by my maternal grandmother's seemingly "total recall" of her life. My family was living in North Vancouver, next door to her and my grandfather, Harry Welch, in the late 1940s building our own homes.


She was Elizabeth (Bess) Jeanette Blaney and we would sit in her little kitchen on Coleman Road, at the top of Grouse Mountain, with a cup of tea while she told tales of her relationship with her beloved father in Birmingham, England, raising her family in Montreal and Toronto and stories of my mother's childhood. I loved her stories and admired her skill in telling them.I later learned that she inherited her story telling ability from her father, Harry.

She was very proud of her ancestors particularly her great uncle, Walter Langley (1852-1922) who was a well known watercolour painter and her grandfather, Edwin Blaney (1834-1885) who made a saddle for Queen Victoria.

I was in my early twenties when I began to pursue the genealogy of our family. There have been many stoppages in my research as life got in the way but I am now retired and resuming my research and the proving of the family lore. To me, family history research seems like a giant jigsaw puzzle that pulls you into needing to find all the missing pieces. It is always exciting when I uncover something previously unknown to me.


From the age of twelve I corresponded regularly with my grandmother but was only able to visit occasionally. My family had returned to Toronto and so we were 3000 miles apart. I regret not having had more conversations with her about her family history. I am lucky to  have her personal papers and some family artifacts that have further piqued my interest.

My mother is now almost ninety-five years of age, with a failing memory, so it seems urgent to capture her stories as well and preserve our family stories for my children and their children.


I am hoping to use this blog to share my research, tell these stories and make connections with extended family..